‘O Death, Death’ O Death, Death, He is come. O grounds of Hell make room. Who came from further than the stars Now comes as low beneath. Thy ribbèd ports, O Death Make wide; and Thou, O Lord of Sin, Lay open thine estates. Lift up your heads, O Gates; Be ye lift up, ye […]
No worst, there is none. Pitched past pitch of grief, More pangs will, schooled at forepangs, wilder wring. Comforter, where, where is your comforting? Mary, mother of us, where is your relief? My cries heave, herds-long; huddle in a main, a chief- Woe, wórld-sorrow; on an áge-old ánvil wínce and síng– Then lull, […]
In case you missed it, last week we had a retreat with the poet, Gerard Manley Hopkins (1844-1889), reading poems that reflected themes of the week. You can read more about the retreat along with the connection between poetry and mystery here, and follow it with these links. – Holy Thursday Hopkins’s paraphrase of Aquinas’s Adoro … More Hopkinsian Retreat
‘O Death, Death’ O Death, Death, He is come. O grounds of Hell make room. Who came from further than the stars Now comes as low beneath. Thy ribbèd ports, O Death Make wide; and Thou, O Lord of Sin, Lay open thine estates. Lift up your heads, O Gates; Be ye lift up, ye … More A Retreat with Hopkins: Holy Saturday
‘No Worst’ No worst, there is none. Pitched past pitch of grief, More pangs will, schooled at forepangs, wilder wring. Comforter, where, where is your comforting? Mary, mother of us, where is your relief? My cries heave, herds-long; huddle in a main, a chief- Woe, wórld-sorrow; on an áge-old ánvil wínce and síng– Then lull, … More A Retreat with Hopkins: Good Friday
It’s that time of year when the projects are piling up and you wonder if you’ve really matured past undergrad. I know you took that one line of criticism from your adviser to heart. I know you look around during seminars and think everyone else has it so much more together. She gets that theorist. … More To my fellow graduate students
Patterns are important. We need to see how scenes are structured in a novel. We need to notice the rhyme scheme and know the poetic form. It seems natural to think that the “brain establishes patterns quickly and then starts to construct meaning” as Doyle and Zakrajsek propose here. But these patterns get really interesting when they … More Meaning-Making and Pattern Breaking
